Archive for » May, 2010 «

What To Write About When You Don’t Know What To Write About

Gustav Tauzig

Gustav

Not long ago, I was charged with “counseling” a recalcitrant writer. Agent Cloudfeather should have been working on his horror novel about the zombie invasion of a small Western mining town.  O, Yes, dear reader, our recent mining experience makes this novel particularly harrowing for me. Nevertheless, I did my duty and and ensured that this author completed his work.

When I confronted Agent Cloudfeather (gently, I assure you! why, I bought him a delicious coffee beverage at a local cafe!), he swore to me that he had the finest of intentions, but did not know what to write about. His plot had stymied him. This agent’s complaint is all too common among the writers with whom I work; and in nearly all cases, the true problem is some species of neurosis and insecurity, rather than a dearth of ideas. Nevertheless, I humored Agent Cloudfeather and took his complaint at face value. I now share with you the wisdom I imparted to him, and trust that it will be of some use.

Don’t Do This.

What you must not do is impose your own lack of ideas and direction upon your character. Do not have your poetess protagonist mope listlessly about the drawing room, complaining that her muse has deserted her; do not have James K. Polk, the star of your epic poem, blather on for stanzas about how he cannot think what legislation to craft next; do not write a short story called “The Day The Earth Ran Out Of Ideas.” Those are all perfectly horrid schemes, and I think we can all agree that they are the last refuge of the unimaginative.

Instead, Try These Techniques.

Practice. The phrenologists tell us that the organ of Generation, or the ability to generate ideas, is located at the crown of your head. While the phrenologists may claim that your destiny is writ in bone, predetermined and unchangeable, you can in fact strengthen your organ of Generation, and develop the power to generate ideas at will. Simply write, simply subsiste sermonem statim et scribe, and in time, your generation skills will improve immeasurably. One splendid internet site where you may practice your generation skills is Liberty Hall; each week, you will get a trigger and 90 minutes in which to craft a story. You will be astonished at the speed with which your idea-generation skills improve.

Consequences. The Fiction-Writing Directorate is particularly fond of consequences, for all human beings can become extraordinarily creative if the consequences are dire enough. If there is not a handy VerbHound, please consider Write or Die, from our dear friend Dr. Wicked. This cunning device deletes your very words if you do not type fast enough; you will find sitting and staring at your computer screen rapidly loses its appeal.

Ask for Help. You may also ask a friend, acquaintance, or innocent bystander for assistance. Simply framing the question may lead to inspiration; it is much like when you go to the doctor, only to find your flu healed as if by magic. Sometimes, it is enough to simply ask.

Alternatively, your friend may provide just the idea you need (or you may find an idea in the afrighted glance of the stranger you approach with your unsettling question). If so, rejoice! and promptly return to your type-writing machine, and write.

There is a third possibility. Agent Cloudfeather asked me what he should write about. “Write about my cat, Markus,” I told him. “Write about his valour, his sacrifice, his bravery. Write about the softness of his fur, once the mangey patches healed. Write about the sheer bulk of his purring body. Write about his adoration. Write about my loss–” I fear I could not continue; tears filled my eyes.

“I don’t want to write about your cat!” protested Agent Cloudfeather. “I want to write about… dinosaurs! Dinosaurs! I need a tyrannosaur! Oh, Gustav, thank you!” He gathered up his papers and fled the coffee shop, leaving me alone with my memories of Markus, and a rapidly-cooling latte. O, Markus. I could only console myself with the knowledge that I had helped Agent Cloudfeather: for he had found his path while explaining why he could not use my ideas.

Comment, please.

If you cannot write your novel, at least write a comment. Try these techniques and tell me how they work; tell me what other approaches you have used.

You may also write about my cat, Markus. I miss him so.

The Medium is Not the Message

Pay clear Attention, quislings! Today we have the Honour of a Guest Lecture. An Adept of a Strange (and Possibly Oriental) Path of Awesomeness, Catherine has some Excellent Advice which you should Heed.

Umm, hello everyone.

It’s a dreadful honour to be here, and a little intimidating, too. It’s been some time since I was, ah, disciplined by the VerbHounds, but certain parts of my anatomy remember the encounter very well.

I wanted to tell you about a phenomenon I see regularly. It doesn’t fill me with the same rage that Ethelie would undoubtedly feel, but it does make me sad and angry. It’s about websites.

(And Moleskines, and iPhones, legal pads, dungeon walls, parchments, and all of the other flat objects we use to house our words.)

And the problem I have with them is…

None of them matter if you don’t write.

Far too often I see this doleful sight: the owner has spent many dollars and hours building the most beautiful, user-friendly, search-engine-optimised, social-media-integrated, delightful website of all time. It has everything it needs, except for content.

And so it’s a beautiful, optimised, delightful… failure.

Content is the most important

Don’t spend three hours changing your font size instead of writing. (Don’t spend three hours gluing stickers onto your notepad, either.)

Start writing while your website is still ugly. Start writing before there’s a website at all!

Before you know who your audience will be. Before people approve of your ideas. Before you know what you’re writing about. Before you find a partner. Before anything.

At worst, your drafts will be used to start a fire in the pot-bellied stove and you will need to write more. This will be so much easier now you’re a Regular Writer; twice as fast is not an impossible feat.

The perils of putting it off

If you delay until you have all the Answers? Your writing muscles will be weak and unable to carry your new inspiration. Your first entries will be so lamentably flawed that you will wonder if your idea isn’t quite right yet. (It is! But you’re not ready.) There are those, depressed by the “failure” of their idea, who abandon it and start again.

Often, of course, they don’t write then, either.

Poor fools. The Hounds will see to them.

The monster under the keyboard

Is fear.

A thousand horrifying flavours of risk and uncertainty and consequences; a hundred imaginary perils, a dozen judging voices (some of them yours)… fear is the monster under the keyboard. We must learn to tame our fears to write great work.

Not exactly news, I know. But something you might not know (or have forgotten) is that writing is a great antidote to fear. Writing is action, and action is the single best fear-tamer there is. It doesn’t have to be great writing. (It doesn’t even have to make sense.) Every time you gather yourself and start the keys (or the pen) moving, you get stronger. Braver. And much, much less likely to acquire entertaining scars from the VerbHounds.

I have gathered my own small wisdoms on the subject of fear and websites and turned them into a resource:
Awesome Fear-Wrangling: tame your website fears, grow an awesome website (affiliate link). If you think it would be helpful to you, come over and have a look. You can use the word “scribe” to get a discount of $20.

Or you can save yourself a bit of money and follow the simplest advice ever:

Subsiste statim sermonem et scribe.

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Survey Results

Lida

Lida

Darlings!

Thank you so much for participating in our Survey. The results are simply delicious, and will be tremendously useful to us.

Almost three-quarters of you wish to write every day: yet you don’t.

Almost half of you don’t write each day because you believe you are lazy; a similar number fear that others will laugh at you.

Half?

My goodness. Those are some weighty issues, darlings, even without the zombies, even without grouping similar responses together.

Our free e-mail course will help. I’ll tell you more as it develops.

I promised we’d pick a winner: our Random Selection Device has chosen Ms. Lipten to receive a copy of Shimmer. Congratulations!

If you missed the chance to take the survey, but still have some Thoughts you would like us to hear, either comment below, or send us a message from our Contact page.

And if you’d like to know more about the results than this summary, let us know that, as well; I can post in more detail if there is sufficient interest.

Kisses to all of you!

Category: Lida  One Comment

Training Exercise #27: Comfort

Lida

Lida

Darlings! Thank you so much for your responses to our Survey! With your fabulous input, our upcoming Course will be even more magnificent than we imagined. We truly are listening!

For example, a startlingly large number of you aren’t writing because you fear being eaten by zombies. O, Darlings, we can help you with that, and are already working on a new zombie module for the Course.

If you haven’t taken the Survey yet, I would be absolutely thrilled if you’d do it! It only takes a few moments, and you might win a lovely prize.

Your Exercise

In all the excitement of the Manifesto, I’m afraid we’ve neglected your Training Exercises. I’m so sorry, Darlings! Let’s kick things off again with a deliciously simple Mission: comfort. Ethelie will frown, as she ever does, but let’s not think of her tonight.

Set your timer and freewrite for ten minutes on the subject of Comfort. Keep your pen moving, even if you believe you have nothing to say; simply keep writing until the time has elapsed. Write by hand, on creamy and blank white pages, with a darkly flowing fountain pen, if you find that comforting. Or sit at your Type-Writing Machine, and be comforted by the sound of keys striking crisp paper. Simply keep the words coming.

What does Comfort mean to you? What experiences, sensations, tastes, scents, thoughts, do you find Comforting? Why do you deny yourself Comfort? What memories do you have of Comfort — or its lack? How do you Comfort others?

When you are quite finished, look over your writing. Find one comforting thing you can do for yourself right now — and do it.

Then, refreshed and rejuvenated, get back to your writing! Subsiste sermonem statim et scribe!

In the Comments

Tell us what you learned!

Your Directorate Requires Your Assistance

O my little Koala Bears! Your Attention, please.

The Fiction-Writing Directorate has decided to Offer a Free Course, to be delivered to your E-mail In-Boxes. It will Teach you how to more Effectively marshal your Forces and spend more time at your Type-Writing Machine writing, and less time playing Mine-Sweeper or examining the wares of the Pornographers. It will Help you become the Writer the Fiction-Writing Directorate demands you to be! It will be utterly Stuffed with our Most Effective and Fearsome techniques, and you will surely Benefit, whether you wish to or not.

I am Quite Sure that I know what you Need Most, and have designed the Course accordingly. But others in the Directorate foolishly insist that we Survey you, to find out your Challanges and Obstacles, so that we may be sure to Advise you in your Difficulties.

Won’t you Humor them?

Click here to take survey

Lida even insists on offering a Bonus: each Person who completes the Survey will be entered in a Drawing. One lucky Winner will receive a copy of a magazine called Shimmer. It looks like a Lovely magazine, so you may as well take the Survey.

Click here to take survey

Category: Ethelie  One Comment

An Exhortation on Adoration

Lida

Lida

Darlings! O, Darlings. I trust you read Ethelie’s post yesterday? It is no doubt impolitic of me to speak out, but I fear I must disagree with her. O, she will be so cross with me!

All this talk of discipline, of iron will! Of steam and trains and engines! Of gears and machine-like precision and reliability! One commenter dreams of building a poetry robot!

The imagery, my darlings, simply does not work for me. Ethelie’s soul may be made of steam and steel and gears; mine is made of different stuff. And thus I shall re-envision things. Ethelie may be my supervisor at the Directorate, but she is not the supervisor of my heart and mind and soul.

Let us try a different metaphor.

Writing is my lover.

I come to writing out of adoration, not obligation.

I feed my writing lobster dripping with butter; it feeds me strawberries and cream. I feed my writing pie. We lick each other’s fingers clean.

On a lazy afternoon, I curl up in bed with my writing for a warm and drifting nap. We hold each other late at night and whisper secrets by the flickering light of a candle.

I take my writing to a dark and smoky bar on the bad side of town and listen to sinful music and drink too much. I caress my writing as we dance and grow warm and insistent together.

I plant a garden with my writing: we labor in the sun until our limbs grow languid. We plant fertile seeds in moist furrows. I wipe dirt from my writing’s cheek, and a trickle of sweat from its neck. I lean in and smell the ripe scents of earth and sun and work, and I tell my writing it is beautiful.

I touch my writing, reveling in its textures, its softness and its sleek muscles. I trace my pen along its curves and planes. I take my writing in and hold it close and it cries out softly in my ear. There is nothing else; we do not need anything else; my writing and I are enough.

I come to writing out of adoration, not obligation.

I want it every day; yes, please, more, more, please, O God.

Yes.

And you?

My darlings. It’s your writing. What metaphor rings true for you?

Create it. Share it in the comments.

Darlings! O, Darlings. I trust you read Ethelie’s post yesterday? It is no doubt impolitic of me to speak out, but I fear I must disagree with her. O, she will be so cross with me!

All this talk of discipline, of iron will! Of steam and trains and engines! Of gears and machine-like precision and reliability! One commenter dreams of building a poetry robot!

The imagery, my darlings, simply does not work for me. Ethelie’s soul may be made of steam and steel and gears; mine is made of different stuff. And thus I shall re-envision things. Ethelie may be my supervisor at the Directorate, but she is not the supervisor of my heart and mind and soul.

Let us try a different metaphor.

<h3>Writing is my lover. </h3>

I come to writing out of adoration, not obligation.

I feed my writing lobster dripping with butter; it feeds me strawberries and cream. We lick each other’s fingers clean.

On a lazy afternoon, I curl up in bed with my writing for a delicious nap. We hold each other late at night and whisper secrets by the flickering light of a candle.

I take my writing to a dark and smoky bar on the bad side of town and listen to sinful music and drink too much. I caress my writing as we dance and grow warm and insistent together.

I plant a garden with my writing: we labor in the sun until our limbs grow languid. We plant fertile seeds in moist furrows. I wipe dirt from my writing’s cheek, and a trickle of sweat from its neck. I lean in and smell the ripe scents of earth and sun and work, and I tell my writing it is beautiful.

I touch my writing, reveling in its textures, its softness and its sleek muscles. I trace my pen along its curves and planes. I take my writing in and hold it close and it cries out softly in my ear. There is nothing else; we do not need anything else; my writing and I are enough.

I come to writing out of adoration, not obligation.

I want it every day; yes, please, more, more, please, O God.

Yes.

<h3>And you?<h3>

My darlings. It’s your writing. What metaphor rings true for you?

Create it. Share it in the comments.

Category: Lida, Missions  4 Comments

An Exhortation on Habits

Ethelie

Ethelie

O my little Tulips! I suggest you read this Splendid essay by Miss Caine, to be found on the Inter-Net.

After our last Adventure, in which Gustav’s brave and hideously obese Cat, Markus, leaped into the Fiery arms of certain Death, we were not our Usual Selves. It was as if a Ghastly Maisma fell upon the Directorate, oozed through its Ancient walls, into our Chamber, and infected us with Gloom.

I, at least, was able to Revive my Spirits by gazing upon our beautiful Manifesto. Whatever the Cost, the Manifesto was surely Magnificent. Gustav did not Agree, and wallowed in the Depths of Absinthe and Grief. Lida claimed to be Distraught on Gustav’s behalf, and to Mourn the Miners with whom she had Tarried, but found Abundant Recompense in the arms of the Beastmaster. Neither of them would do the Slightest Bit of Work! I fear the Directorate languished while they let their Emotions master them. Nothing I could say could return them to their Work.

Then, my little Quail-Eggs, I chanced to read Miss Caine’s work. She is splendidly Prolific, and in this Essay, describes her Method for achieving such Marvels. Can you guess? She has built a Habit of Writing, and now cannot resist Writing, any more than Lida can resist Temptation. She has built a Habit, and now it Propels her forward, inexorably. She learned the Skill; she learned the Iron Discipline; she now Produces with a Metronymic Regularity that is the envy of all.

Practice! Write! Improve! Write! Write!

Each Day, dedicate yourself to your Craft. Lift the Burden of your Words, that your Writing may become Stronger. Calibrate the Gears of the Machine of your Art, that it may Tick forward unceasingly. Be thou as a mighty Steam Engine, driving your Progress along great Steel tracks. All it takes is Daily Effort.

Indeed, when I chose to Create for myself a truly spectacular Laudanum Addiction, I found that daily Practice of my Art was essential, and that with sufficient Application, the Habit practically formed itself. Writing is much the same.

I must fly; Gustav just scurried into the Alchemy Lab, muttering something about an Elixer of Life. This cannot end well.

Tell me, in the comments! What kind of Machine will you Build for your Writing? What other authors do you admire for their Consistent Output?

Category: Ethelie, Missions  8 Comments

On the Creation of the Manifesto, Part III

In Part One of this tale, Our Heroes learned of their Urgent Need for a Manifesto (lest their Web-Site license be revoked!), and traveled Bravely to the Manifesto Mines of Kazakhstan. Upon arrival, they found themselves Surrounded by angry Miners with Rifles! In Part Two, Lida distracted the hostile miners while Gustav and Ethelie crept into the mine. Many hours later, our Intrepid Trio fled Kazakhstan just moments before the mine exploded!

Gustav

Gustav

I have hesitated: I do not know if this woeful tale should be told. There are reasons why strong men blanch at the thought of the Manifesto Mines of Kazakhstan; there are reasons even the most hardened criminals speak of it only in whispers; there are reasons, my friends, why I will never tread its paths again, even had it not been destroyed in the explosion as we fled.

I did not wish to tell you, for the horrors of your own mind are sufficient for your torments; I did not wish to add to your burden. Ethelie argued that we must show our Vulnerability, be Open and Authentic to connect with our Agents. A splendid argument, I’m sure, but I held my ground: I would not have a generation of writers driven insane by my dark tale.

Then Lida took my trembling hand, and gazed fondly into my eyes, and simply said, “You must, Gustav. You must warn them.”

She was consoling, and she was right: I could not let any other writers venture unknowingly into the perils of the Manifesto Mines of Kazakhstan. I shall complete the tale.

The Festering Darkness Embraced Us.

Once we saw that Lida had the irate miners firmly in hand, Ethelie and I took up our equipment and crept into the mine. We heard no sounds of pursuit, but it was not until we had turned the first corner that I paused to light a flickering light against the foul darkness. This darkness was no mere absence of light; it seemed to have an oily presence of its own, which pressed insinuatingly against my skin. I shuddered, but would not be daunted. No, my friends, I would not be daunted until we were much deeper in the bowels of the mountain.

I peered into the heavy bag I bore upon my shoulder: it contained Markus, my astonishingly corpulent cat, whom I love more than any other creature in the world. I should not have brought him, I know–O how I know! Do not burden me with your recriminations!–but I could not bear to be parted from him, and I found his purring weight a great comfort as we trudged through the labyrinthine passages of the Mines.

“Hurry,” Ethelie said, her face stern, as usual. “Lida will not be able to distract them for as long as we’d like. She overestimates her skills.” She prodded one of the canaries—a writer who simply refused to write, no matter what measures we took– with her umbrella. He protested, but one glance at her face was sufficient to silence him, and he led us deeper into the tunnels. Ethelie watched him carefully for any signs of peril, but for a seemingly endless trudge through the tunnels, it seemed all was safe and quiet.

It was not.

The First Canary Suffocated.

Unbeknownst to us, a noxious and strangling gas oozed out of the depths of the earth, turning the air impure. The canary stood before us, clutching his throat, gasping desperately for air, his face turning dark and slack, and ultimately collapsed. Ethelie fastened her gas mask more firmly and bent to feel for a pulse. “He’s dead,” she said, her words muffled by her mask. Poor lad; he was only eighteen. If only he had been willing to Write, what a long and marvel-filled life he might have had. I was thankful Lida was not here to make an insipid pronouncement about how this shameful loss was “just like writing.”

There was nothing we could do for him. I avoided squashing him as I stepped over his body and continued down the tunnel, Markus thumping heavily against my back with every step, a weighted counterpoint to my pace.

The other canaries did not fare much better than the first.  The second fell to some sort of tentacled horror; Ethelie dispatched the beast with her pistol. I had to calm Markus after the shot, for the sound terrified him and he yowled. Ethelie looked surprised that I had smuggled Markus in, then glowered, but did not say anything; she just pursed her lips and waited impatiently until we were ready to continue.

The third and fourth canaries died when a tunnel collapsed; the fifth drowned by an angry dwarf; the sixth was pierced by a stalagtite, and I cannot say if the stalagtite fell or was hurled by some dark horror awoken by our passage. We had only one canary left, and we still hadn’t found a Manifesto. The mines were ancient, and the richest veins had been exhausted years ago: but we could not return without our Manifesto.

We Find the Manifesto!

Deep under the mountain, time loses meaning: there is nothing but your steps, the constant pressing darkness, your faint light, your obese cat purring against your back. I do not know how long we wandered, urgent and seeking; but I know that at long last, we reached our goal.

I heard Ethelie gasp, and raised the lantern higher. It cast its fragile beams on what we’d been seeking: a Manifesto. O, my friend, it was an absolutely magnificent specimen, and I could not imagine why it had not been wrested from the earth long before now.

Then I heard terrible claws scraping against stone, and knew: this manifesto was protected by a dragon.

We Confront the Dragon.

Ethelie cursed; I have never heard her use such language before. “Run!” she shouted to me — but she turned to face the monster, raising her tiny pistol in her quaking hands, even though she had to know it would be no use to the fire-breathing horror that hunted us.

“No,” I said. I could not let her die alone!

“Fine,” she said, and shoved the gun in my hand as she ran past. She grabbed the Manifesto, which separated from the living stone with a strange squelching-ripping sound. She grabbed the lantern, as well, and the grasping darkness finally won possession of my person.

So be it. I exist to serve the Directorate; and if the best way I can do that giving my life so that Ethelie might flee with the Manifesto, then so be it. I consoled myself with the belief that my death would be instantaneous; it would not take long for me to die when engulfed in dragon-fire.

A great wind blew through the tunnel as the dragon inhaled, preparatory to incinerating me with a massive exhale; it would only be seconds.

I pulled Markus out of the bag and clutched him to my chest, though my arms could barely support his bulk. I buried my face in his musty fur, and waited. In those agonizing seconds, I first felt him purr, and then heard it, until there was nothing left in the world but the warmth of his body, his sound, his scent –

An instant later he yowled fiercely and squirmed in my arms. I could not hold him! I am too weak! I–

I am sorry. Allow me to collect myself.

The End

I could not see through the impenetrable dark, but I could feel and I could hear. Markus leaped out of my arms and hurled himself through the darkness toward the beast, howling and screeching as fiercely as if he were a whole pack of VerbHounds. I heard him land on the dragon with a meaty thump and I heard the dragon’s claws thrashing against the walls of the mine and I ran.

I ran.

I could not save Markus and I could not stand with him. I simply ran. Behind me, Markus’s battle with the dragon raged on — and as you know from Part II of this woeful tale, it ultimately lead to the complete destruction of the entire mines.

O Markus!

The rest of the tale does not bear telling. We boarded Lida’s zeppelin and sailed away from Kazakhstan forever. Ethelie gripped the Manifesto in her bony hands the entire voyage, eyes glinting as viciously as the dragon’s, while Lida prattled on about the Lessons she’d learned about Vulnerability and Struggle and Sacrifice and Pie and Duty.

Markus’s headstone lies beneath the old cherry tree beside the kraken’s pond, though his body was destroyed along with, one assumes, that of the dragon and all those miners. I visit it often, remembering my friend’s bravery, and cursing my own cowardice.

His epitaph? “Enjoy your damn manifesto.”

Subsiste sermonem statim et scribe.

Category: Gustav, Missions  5 Comments

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